| Author | Doi | Volume | Page No. | Editor | Publisher | ISBN/ISSN | affiliate institute of the author at the time of publication | Journal / Book Title | Year | Date | Work type | Title/Chapter |
| Chandrama Basu | | 9, No. 1 | 12 | | | 2347-2073 | Presidency University | New Academia | 2020 | 2020-01-08 | Article | Gender Conflict and First World War Poetry |
| Chandrama Basu | | VOL: 10, No.: 2 | 9 | | | 2249-4529 | Presidency University | Lapis Lazuli | 2020 | 2020-10-07 | Article | Female Workers in Industrial England: Charlotte Elizabeth Tonna’s Helen Fleetwood and The Wrongs of Woman |
| Chandrama Basu | | | 46 | Brian Cowlishaw | McFarland | 978-1-4766-8305-8 | Presidency University | The Rail, the Body and the Pen | 2021 | 2021-11-11 | Book Chapter | Shock of Modernity: Travelling the Railways and Reading the First Female Detective(s) |
| Chandrama Basu | | | 93 | Brian Cowlishaw | McFarland | 978-1-4766-9158-9 | Presidency University | Animated Mischief: Essays on Subversiveness in Cartoons Since 1987 | 2023 | 2023-06-08 | Book Chapter | Shrek and the Art of Subversion |
| | | | | | | | | | | 2025-01-02 | Article | TIM BURTON’S ALICE IN WONDERLAND: A FEMINIST HYPERTEXT OF LEWIS CARROLL’S ALICE’S ADVENTURES IN WONDERLAND AND THROUGH THE LOOKING-GLASS |
| Chandrama Basu | | | 172 | Gina Anderson-Lopez, R.J. Lambert, and Allison Budaj | McFarland | 978-1-4766-9158-9 | | Holding Television Accountable: Essays on Audience Demands in the Social Media Age | 2025 | 2025-07-11 | Book Chapter | Celebration and Mourning: Audience Reception of Queer Relationships in Schitt’s Creek and The 100 |